Ny Carlsberg Glyptotek is located in the center of Copenhagen and the museum collection consists primarily of works of art and archaeological objects from Ancient Egypt, the worlds of Ancient Greece and Rome, Etruscan Culture, as well as Danish and French art of the 19th century. Art and beer Ny Carlsberg Glyptotek was founded by the brewer, Carl Jacobsen (the founder of Carlsberg breweries), who was one of the great industrial magnates of the 19th century and the greatest art patron Denmark has seen. In 1888 Carl Jacobsen gave his art collection to the public and began the building of Glyptoteket to house it. Glyptoteket has been open to the public since 1897 and holds over 10,000 works primarily divided between ancient antiquities and Danish and French sculpture and painting from the 19th century. The collection The collection of ancient sculpture includes an extensive collection of Ancient Greek and Roman portrait heads as well as a large collection of Palmyrene portraits. The modern part of the collection includes French sculpture from the 19th century – featuring a significant selection of works by Auguste Rodin – and French painting from 1800 to 1950, with Impressionism and Paul Gauguin as the absolute stars, plus a collection of Danish Golden Age Art. The greater proportion of the collection forms part of the museum’s permanent exhibitions, though there are, also, temporary special exhibitions which help to develop a perspective on the museum’s collection with the aid of works on loan. The Winter Garden, café and roof terraceUnwind from the daily grind at the café overlooking the beautiful and spacious Winter Garden. Picnic is open on the same days as the museum itself. We serve tasty light lunches, desserts, coffee and other beverages. Visit the roof terrace of the Glyptotek and experience a beautiful view of Copenhagen and the city towers. Every summer, the museum café serves cold drinks, snacks, coffee and cake for you to enjoy in open air. Special Exhibithions:  After nature, 12.10.2023 - 18.08.2024 In After Nature – A New Reading of the Glyptotek’s Paintings by Writer Josefine Klougart, Josefine Klougart uses the prism of art to study the relationship of humans with nature in a kind of 3-D essay, in which the author’s texts interacts with the Glyptotek’s landscape paintings. Nature as we knew it no longer exists. Klougart explores its beauty, and its disappearance from our modern reality. The sensuous design of the exhibition is the work of the set designer duo Vang Stensgaard. (Glyptoteket.dk)  

SMK – The National Gallery of Denmark SMK - The National Gallery of Denmark (Statens Museum for Kunst) is Denmark’s largest art museum, featuring outstanding collections of Danish and international art from the past seven centuries. SMK is located just off of Copenhagen's Nørreport station. Here you can experience special exhibitions, the royal collections, guided tours, performances, art talks, concerts, workshops and much more. At the SMK you can enjoy the grand masters of art history along with cutting-edge contemporary artists and the rising stars of the art scene. No other museum in Denmark shows such a rich and varied selection of art – from the European classics of the Renaissance to the overwhelming diversity of modern and contemporary art. Here you will find gems by artists such as Mantegna, Nolde, Anna Ancher, Derain, Rubens, Matisse, Hammershøi, Munch, Abramovic, Danh Vo and Elmgreen & Dragset. SMK is especially famous for its beautiful collection of Danish Golden Age art, the country’s most comprehensive collection of Danish contemporary art – and one of the world’s best Matisse collections.    

Copenhagen Contemporary (CC) is Copenhagen’s international art center showing installation art created by world stars and new emerging talents It occupies the magnificent former B&W welding hall offering a total of 7,000 m2 of beautiful industrial halls with plenty of space to show the technical and large formats in which many contemporary artists work: total installations, performance art, and monumental video works. Art that can often be entered and sensed with the whole body.  Copenhagen Contemporary is one of Scandinavia’s largest exhibition venues for contemporary art and a lively meeting place for a wide audience. CC creates collaborative partnerships and organises events with a number of different partners across cultural genres locally and internationally. You can attend art talks, art walks, concerts, creative workshops for children, visit CC’s own shop offering Scandinavian design, and experience the unique and historical city district of Refshaleøen.  Situated centrally in B&W’s iconic welding hall, CC is an international power hub in Copenhagen’s new cultural district. The special quality of this area continues to be defined by its industrial history: the area is raw and green with commanding views across Copenhagen Harbour. The district is a mix of first-class gourmet restaurants and small entrepreneurial initiatives; you can go for a dip in the sea, for a sauna, enjoy a glass of wine, and eat grilled food, buy quality bread and visit Copenhagen’s most popular food market with stalls from across the world and lounge areas by the water’s edge. Not forgetting the climbing, skating,and skiing activities, the flea market, and the theatre and music festivals, which are just some of the many activities this area has to offer.    Exhibtions (copenhagencontemporary.org): Kapwani Kiwanga, The Length of the Horizon: 26.1.24-25.8.24 For her first major exhibition in Scandinavia, the internationally renowned artist Kapwani Kiwanga (b. 1978) explores social mechanisms and power dynamics through large-scale installations of plants, foliage, sand, colour and light. Just below the surface of Kiwanga’s seductively beautiful works lurk critical themes. Plants tell toxic stories of power imbalances, colours have manipulative effects and light is investigated as a political instrument. Stretching across CC’s two biggest halls and 1600 m2 of space, the exhibition unfolds in a flow created by Kiwanga’s elegant handling of materials and their secrets. With her affinity for captivating, non-static experiences, the artist proposes fluidity as a sculptural principle in works permeated with the idea of continuous re-creation and adaptability.

ARKEN Museum of Contemporary Art in Ishøj south of Copenhagen presents exhibitions with Danish, Nordic and international art – from new, young talents to established names ARKEN is a great and monumental building situated in the artificial landscape Køge Bay Beach south of Copenhagen. The museum has one of Scandinavia's finest collections of contemporary art, and the museum's maritime architecture with the pointed stern, which majestically protudes into the terrain, has won recognition both at home and abroad since its inaugaration in 1996.  ARKEN's collection contains more than 400 works - Danish, Nordic and international contemporary art primarly from the period after 1990. The museum houses, among other things, one of Europe's most important collections of the British artist Damien Hirst. Experience the museum's evolving sculpture park, nine works by acclaimed German artist Anselm Reyle as well as a magnificent masterpiece by Chinese artist Ai Weiwei.  Distinctive architecture The museum building is an attraction in itself. With its scenic location on Kunstens Ø, or ‘Art Island’, the building, designed by the architect Søren Robert Lund, resembles a beached ship. A lagoon meanders its way around the museum, with several bridges linking the museum island with the surrounding beach area. The museum café hangs like a lifeboat on the side of the building and through the large panoramic windows overlooks Køge Bay. The museum shop is the area's leading design shop with an inspiring mix of Nordic design, art books, and gift items.   Exhibitions Group Therapy, 29.2.24-28.7.24 An inflatable flock of chickens and a burned-down preschool. An outboard motor as a national symbol of Greenland. In the exhibition Group Therapy — New Contemporary Art at ARKEN, contemporary art unfolds in many forms. Sharp, insightful, caring, dynamic and humorous - the artists explore our era and invite us to reflect on our place in the world. The exhibition's works have recently been added to the museum's permanent collection, and they are presented in an exhibition that promotes conversations about conflict, emotions, hope and healing. In her installation, Lisa's Chickens (Farm Life), Benedikte Bjerre has given a large flock of helium hens the 50 most popular girl names in Denmark right now, raising playful questions about our market-driven and gendered world. Cliché-filled ideas about gender are also challenged by Tora Schultz, who, with her Prada stilettos, inspired by the poster for the Hollywood film The Devil Wears Prada, humorously criticises the sex symbols of the fashion industry and the demeaning propensity of our society to compare powerful women to the devil. Martin Brandt Hansen punches a hole in the stereotypical notion of national identity with works such as Uummat (heart in Greenlandic) in which he transforms a Honda engine — a global symbol of strength, speed and power — into an elegant and humorous monument to today's Greenland. Anish Kapoor, Unseen: 11.4.24-20.10.24 Anish KapoorKapoor's monumental sculptures and installations speak directly to our senses and emotions. Through his unique eye for materials, shapes, colours and surfaces we are drawn into and seduced by his work, which turns the world upside down — often quite literally. Kapoor has been shown in the largest exhibition venues in the world, and he has also created several significant pieces for public spaces. Anish Kapoor was born and raised in an Indian-Jewish family in India. From 1973, he was educated in England, where he has worked ever since.‍ ARKEN's exhibitionThe exhibition at ARKEN showcases a selection of Kapoor's most significant large-scale works created during the artist's more than 40-year career. The exhibition will be spread throughout most of ARKEN's halls: the Art Axis, the Large Gallery, the Graphic Gallery and other adjacent galleries. Despite the large exhibition space, the exhibition contains only about 10 works. The majority, however, are very extensive, and in scale and intensity the works will fill the entire museum. All of the works are built specifically for and integrated into ARKEN's architecture. In this way, the exhibition will take the form of a total intervention in architecture that challenges the usual way the building is used and the spaces are experienced.  

Willumsen's Museum is a museum for the Danish artist Jens Ferdinand Willumsen’s art and art collection as well as his archive and books. J.F. Willumsen – One of a kind and a great norm breaker in Danish art. Step inside his world, where transgressive, wild and ambitious works continue to challenge and fascinate us. Here at his museum you can experience Willumsen’s art, his private art collection and special exhibitions, as well as a range of activities for all ages. Take a look inside Willumsens’s World. Today many of Willumsen’s major works stand as significant contributions to Nordic modernism, but equally many were previously dismissed and have only recently been reclaimed by art history. Throughout his life Willumsen was determined to go his own way, and some of his most radical and explosively colourful works were made towards its end. This late period has, until recently, been largely underestimated, fulfilling Willumsen’s prophecy that his art would only be understood by posterity. Exhibitons (willumsensmuseum.dk): 'Like a Moth to the Flame', 10.2.24-28.7.24 There is a series of incredible coincidences in the works of Margin Bigum and J.F. Willumsen. Themes, color tones and motifs sneak in and out of each other across time and place. These coincidences - which have in the exhibition been placed side by side - in themselves make a juxtaposition between the two artists interesting. However, it is the artistic process, seen from the perspective of the creative artist, that is the core of the exhibition. At the exhibition, the audience can experience paintings, lithograåhs, sculptures, photographs, drawings and sketches by Willumsen and Bigum - from their very young years to their mature productions. Willumsen's World The first time Jens Ferdinand Willumsen (1863-1958) really caused a stir in Denmark was in 1891, the year he sent the etching Fertility from Paris to an exhibition in Copenhagen. Willumsen’s simple, symbolic portrayal of his pregnant wife and his proclamation of ‘new art’ outraged the Danish art audience, who nevertheless stood in line to see the scandalous work. Willumsen has divided opinion with his visually brash, often flamboyant, and at times extreme figurative art ever since. Willumsen breathed new life into the art of painting. He drew on tradition, but was also in dialogue with the popular culture of his own age. Quick strokes, caricatures, and loud colours were recurrent elements in many of his works as a painter. As a sculptor his works were monumental, the most famous being The Great Relief, now in the main gallery of the museum but originally intended for a bar in Chicago. Willumsen designed several buildings, including his own home in Hellerup, north of Copenhagen. In the 1930s he also designed a museum for his art and collection. The museum did not open until 1957, in the town of Frederikssund where his grandfather was born. Willumsen was active as an artist for over 70 years. He experienced two world wars, radical technological transformations, the break with identifiable motifs in avant-garde art, and the birth of modern, abstract painting. He travelled to the US, North Africa, and numerous European countries, and lived in the South of France from 1916 until his death in 1958. Willumsen lived with three different women during his lifetime, all of them active in the arts. The sculptor Edith Wessel, who Willumsen married in 1903 and never officially divorced, played a major role in his life and art, as did the French dancer Michelle Bourret, who he lived with later in life. Today many of Willumsen’s major works stand as significant contributions to Nordic modernism, but equally many were previously dismissed and have only recently been reclaimed by art history. Throughout his life Willumsen was determined to go his own way, and some of his most radical and explosively colourful works were made towards its end. This late period has, until recently, been largely underestimated, fulfilling Willumsen’s prophecy that his art would only be understood by posterity. Willumsen collected paintings he attributed to Rafael, Leonardo Da Vinci, El Greco, Rembrandt and Cézanne. He clearly saw himself as the last in a long line of master artists who had gone beyond the limits of the possible during their own lifetime. The museum houses Willumsen’s Old Collection of genuine and counterfeit works, which is key to understanding his artistic world and vision. Here we show a selection of Willumsen’s wide-ranging and all-embracing oeuvre. Through his self-portraits, the manifestation of his joie de vivre and exuberance in a monumental beach scene, and his use of collage aesthetics in the painting The Wedding of the King’s Son we trace the work of an artist of the past who continues to lay claim to his rightful place in the present.    

Statues in heathery hills and concrete architecture Men and women in bronze are looking over the heathery hills in the park. And in the impressive octagonal room in the museum, where the ceiling is 11 metres above you, you find more men and women, now in white plaster. It is a very special experience walking around in Rudolph Tegner’s Museum and the Statue Park – a calm yet intense experience where beautiful nature and bombastic concrete architecture are combined.   Use the route-planner in the Copenhagen Card app the find the easiest route. A walk in Russia The natural resort where you find Rudolph Tegner’s statues is called Russia. The rather special name relates to the remoteness of the place. However, from Russia and Rudolph Tegner’s Museum to the nearest town, i.e. Dronningmølle in North Sealand, is only 2 kilometres. In the park, you find 14 Rudolph Tegner statues while walking around the heathery hills outside the museum. See the art in Rudolph Tegner’s Statue Park. Almost like a church The museum room was designed by Rudolph Tegner himself with the purpose of housing all his artworks. It was built in 1937-38, and when walking through the large port, you almost feel like being in a church room. The solid walls, the high ceiling and the absence of large windows make all sounds resonate between the statues. The permanent collection counts 355 of Rudolph Tegner’s artworks. Most of them are originals in plaster; others are in bronze and marble. Climbing trees and activities for children Children are welcome at the museum. In Statue Park, there are climbing trees. You can also go treasure hunting or orienteering during your visit – both require that you have information about the artworks. If you want to be creative, you can visit the drawing workshop to try to draw various artworks. Activities for children all over North Sealand. Søren’s Café When you have walked the hills and experienced the octagonal museum room, you can visit the café where you can get lunch or a cup of coffee. The café at Rudolph Tegner’s Museum is open in the summer half. They serve coffee, tea, cake, sandwiches, ice cream, etc. Here you find the opening hours of Café Søren at Rudolph Tegner’s Museum. One of Denmark’s great sculptors Rudolph Tegner was educated at the Royal Academy of Fine Arts in 1893. His art was very controversial at that time. His work is intense, dramatic and huge and comes under the art form called vitalism. And they formed a great contrast to other Danish sculptors such as Bertel Thorvaldsen. For a great part of his artistic life, Rudolph Tegner lived in France and 1916; he bought the area outside Dronningmølle, where he constructed his museum. Here, he is buried together with his wife, Elna. Combine your trip to Tegner's museum with a nice day-trip to the beach town Hornbæk